ranking records 10th release sees russian producer/vocalist marina faib burst onto the scene with a 12inch that is frankly nothing short of astonishing. for a girl born in the 1990s, faib shows astounding maturity in her restrained approach to sound and rhythm, employing stuttering drum loops to underlay soundscapes that would put many a hollywood composer out of work. ticking clocks is a spine tingling example of this: the texture of the track comes from a euphoric choral sample which soars over a deep chasm of sub bass energy, climaxing in the perfect placement of a slithering arabic reed solo. whisper of trees shows the same mastery of atmosphere and musical arrangement - this time the tune is built from blissed out vocal lines, warm synth pads and a pulsating low end.

the word >detroit< is one that is used far too often in todayÆs techno realm. it seems that as soon as someone puts a pad over the top of a 4x4 kick drum they have the right to file their music under >detroit techno<. soà when tracks like this arrive in your inbox with no accompanying information, well itÆs a breath of fresh air to say the least. these four tracks by new boy mick welch truly capture the essence of detroit, bringing to mind the classic works by derrick may, kenny larkin and even hints of influences a little closer to home, b12, redcell, kirk degiorgio and the rest of the applied rhythmic technology crew for example. highly recommended.

after the debut on damm records and the massive rmx on lordag, josh came back with his second strike. this on is a smashin minimal tech house 4-tracker which invades all the clubs. upp to rotate all tired people!!

kai alcé returns to real soon with a new 3-track ep - his third release on the label following corner manuvers (2006) and broken headlights (2007). polyester static features two tracks at either end of kais stylistic spectrum plus a driving remix by house music legend chez damier. the title track is a classic mix of jacking synth bassline, rhodes piano chords, pitched up cowbells and scat vocals. at the other end of the spectrum, born a day after is another great example of kais deep, drowsy, beautifully constructed minimalism. on the flip, chez damier remixes polyester static, heading straight for the dancefloor with a rolling bassline, stabbing chords and submerged vocal - irresistible pure house music in the best tradition! kai alcé is an atlanta-based dj and producer with roots in detroit and new york. he has previous releases on track mode, late night essentials, real soon & moodymanns mahogani music and in 2008 launched his own label ndatl muzik

i ve been playing ortins track at big gigs for quite a while at peak times, with the advent & industrialyzer interpreting it its great to release these two fine pieces of work that have purpose and conviction says luke slater about the next release on his mote evolver label. the boundary pushing mind set slater brings to his own planetary assault systems creations is a key characteristic of the music he selects for mote evolver. this release from ortin cam is a prime example.

click box have fast become a permanent fixture in the minus firmament, personifying the subtle shifts that are taking place within the scene as the label expands its repertoire and broadens its horizons to incorporate emerging artists from all over the globe. already on to their second minus release of 2009, são paulo djs / producers marco as and pedro turra immediately pick up where they left off with the roving bass and pumping rhythm section of wake up call doing exactly what it says on the tin. as with the first ep, the oscillating synth patterns continue to dominate proceedings, painting neon shapes in the darkness before another delicious robotic sequence shifts the atmosphere by introducing a moroder-esque vibe complete with twisted disco bleeps. its just another example of how click box have honed their sound since their debut i&t release through a finely crafted mixture of proto-house, electro and techno, to create a distinctive hybrid thats fast becoming their own

after a little silence from rotterdams sound architecture label they are on a roll again! after releasing music by joris voorn, shawn rudiman, rejected (when they were still rather unknown) they bring up some new talented producers! the sound architecture guys are hosting some of the best techno events in the netherlands.. and meet a lot of young producers.. and here is another example that with good a&r even young bedroom producers can release some hot club tracks! file this under the hottest new school house tracks on the market!

stone cold classic funky disco floor filler thats stood the test of time. first time ever on 12inch!!! taken from the hard to find self titled lp by tommy stewart, bump & hustle music is the definitive disco funk party anthem. it was recorded in 1976 in atlanta, georgia, and since then the lp has found itself in the play boxes of soul, funk and jazz djs alike. however, its not until now that this amazing song has finally made it onto the preferred format of dance djs the world over û the 45rpm 12inch single. in 1976 tommy stewart was a busy man, working as an arranger, producer, performer and writer for a host of soul and rnb artists. the lp made for abraxas records was the first to go directly under his name, and although it failed to take off locally, the lp soon became known by djs across the world primarily for the club smash bump & hustle music. as it happens that song in particular almost didnt exist but for tommy needing to come up with something quick in order to fill in a gap in the album. conceived and recorded on the spur of the moment, and with backing vocals by isaac hayes singers hot buttered soul overdubbed later, its a superb example of rhythmic simplicity blended with soulful, catchy harmonies. its just impossible to listen to bump & hustle music without a broad smile coming to your face, and when played loud in a club, its impossible not to dance!

supported by: richie hawtin, dubfire, gabriel ananda, alexi delano, livio & roby ...
plaupez >l ame d un singe< is the 1st release from alma soul music. this ep has a mixture of music styles wich include deep, tech & minimal house. plaupez original mix is certainly a good example of the genre variety, its house base blends into a tech atmosphere with a futurist melody. jon gurd s version is ideal for a late night mainfloor, with powerful basses and energic percussions. vasco inspirian offers his particular sound wich has a very noticing detroit influence and licuadora system s remix minimalizes the track with his frenetic minimal- house version. all four tracks are composed by very talented artists and the result is ready to rock any dance floor!

recording as lord cut-glass, alun woodward, formerly of the delgados, releases his first album since the delgados? ?universal audio? in 2004. extraordinarily ambitious, ?lord cut glass? was written, arranged and in large part performed by woodward, recalling the orchestral grandeur of his former band whilst forging a style of acerbic, sardonic songwriting all of his own. lord cut glass features galloping percussion, waltzes, marches and promenades of male and female harmony: delicate and serene creations punctuated by casual profanity and shot through with brazenly hilarious words-to-the-wise.

minuendo recordings returns back with its 15th release, the deepfathers is another super production of the spanish label with ernie and ordell introducing their brand new tracks. pure underground deep house full on body and soul in the same lines of the two previous eps grand deep auto & deep wars. jus ed, is one of the most influential and respected producers from the underground house scene and hes now the special guest. edward is the owner of the uq (underground quality) and has produced for labels like strength or fxhe and some others à the track summer breeze, is a great example of the quality of his uq.

mossa shows up with his third release on mos ferry prod. and he demonstrates again that his productions shouldnt be missing in any record case. the title and a1 track ransack holds some solid subs, a nice and kinky drum kit including a petit but also significant drive. right next to it comes the ransack remix by andomat 3000 that pushes the whole theme more towards a swinging and rocking house tune. on the flip dark love reveals - as the name implies - a dark & noisy track topped with a sonorous vocal that shouldnt be ignored. with toms and hats from the music electronics supply store b2 make the noise is an excellent example for controlled rhythm & sound that puts a perfect finishing touch to this release. we love to say: make the noise, please make the noise!

although jaxson and keno both have successful solo projects and have previously worked together before, this collaboration is bound to be their most notable release yet. a fusion of house, funk, latin and techno, all meet at the crossroads of their studios for a 4 track ep of sundry beats and fresh flavors. clearly the a-side, >tout le temps< is comprised of a clever hook and a hazy latino vocal sample, which carries the initial groove right into an originally played synth section. a good example of a refreshing approach to adding effects and using sounds. >tarantella< as the title might suggest, one might expect a track that would scare the living day lights out of you, but it has more of a >creeping up from behind you< sort of vibe. a subtlety creeping groove subliminally enters your unconscious mind carrying a secret message. what is that message you ask? dance! the congas on, >red baron< sound so live you can almost here the players licking their fingers. congas might be the groove in the heart of this tune, but the melody of the slick synth stabs and rising strings are what ultimately breath energy and spunk into this roller. >karate kid< initially has a minimal feel, but once the hacked up guitar and vocals come in, you can put those dirty thoughts to rest. abundant with an overwhelming amount of unique and interesting sounds, secure this tunes ability to prick up the ears of finicky djs and clubbers alike. it is rare to find such a wide variation of sound design on your run of the mill ep, but kindisch has proved they are not an ordinary label. they are consistently releasing quality tunes and always providing pleasant surprises. some might say it is a clichÚ, but this ep really does have a bit of something that will drive one club or another nuts

here we go with mark-henningÆs 2nd ep on frankie recs, 3 years after his promising first strike on the label. a two tracker ep titled ôvick for president epö - we start off with the a-side ôbiggity giggityö - a track of pure madness! comprising a mix of quirky sounds and distord harmonics synths, this is a great example of markÆs ability to combine both a solid groove and a dark atmosphere at the same time.. this song definitely kills it on the floor! on the flipside ômonsterö is even darker and more mental - combining subtle synths arrangements and bleepy fxs sounds itÆs perfect for late sessionsà two beautifully sinister, outstanding cuts!

slang bang is benno blome, the head of sender, and pan/tone aka sid le rock. the duo delivers powerful tracks combining force and restraint with a wicked imagination. >amaaazing< for example sets the records tone with an aura of mystery, creeping like a secret agent on muted, methodical beats, as buzzing synths and foggy atmospheres round out the film noir effect

la danse de l hibouthe fourth release with bucketround follows the path left by his past references, not disregarding the exploration of new horizons. oval future face (bucketround recs) grants us his peculiar way of understanding electronic music. avoiding the hype or settled guidelines la danse de l hibou brings us right in the middle of the night where nocturnal birds of prey hunt. we are in front of his deepest work so far, full of details and rhythmical shifts shrouded in minimal sound with its own soul... as if it was meant to be just for this work, it is apt for lounge listening, dancefloors or even forests. the re mixes collection does not fall short on quality: pablo bolivar (regular) as usual everything he touches turns into gold and this time pablo does not disappoint. nimble groove full of hectic changes and sudden pauses enriches this melodic remake. a real dancefloor hit. angel galan (add sensor) theres no rule for crafting remixes and angel is the clearest example. an amazing explosion of multicolor strokes transformed into tangled logic sound.

faste is back with rico puestel from germany offers here a huge 3 tracker ep titled >have you seen babba yaga? < great example of rico style starting with a1 >your poke<. a bunch of bleeps and cuts subtle arrangements and heady shuffle melodies. >your poke< is your thing to kick the floor! on a2 >segundo< with shuffle rythmics and heady synths. keep an eye on the break with the arrive of a low unexpected melodic sitar guitar for a brilliant atmosphere turn. great moment! on the flip >soul calyx< track - special mention for this so original cut. mental and loud! rico keeps heady pianos and incive drums. lot of lot of sounds indeed - just enough to keep an extra tension all track long. do not miss!

played by popof, tomcraft, paco osuna, someone else, joseph capriati, sébastien léger,….. more than one year after the first release, its time to celebrate the 10th. release of platform b. labelboss tobias lützenkirchen selected 4 more tracks for this ep which he roadtested during his live sets with great results. again this release is a perfect example for the general label philosophy: to be a platform for lützenkirchen and his friends from munich/bavaria/germany. so enjoy this release by lützenkirchen and his mates joseph disco & tonio barrientos

one of belgium biggest exports, and studio partner of marco bailey is responsible for this monster release on analog mode records. tom hades delivers 2 bomb tracks perfect for those hands in the air moments! bogeys and dance all over me are finest example of what we call up to date techno. expect some serious dancefloor action on the breaks. pure, solid crowd movers, that s it . analog mode has done it again!

sway stands for quality techno and this release is a great example of that. the sound of hertz still improves after all these years of hard working in his studio. perfect crafted techno build for dancefloors to explode. check, buy play and dance!

gogo music starts the year with another dope and deep release. continuing the liaison with south africa and katsaitis music we present blackcoffee feat. bucie and their title ‘,turn me on’,. blackcoffee is one of south africa s most respected house music artists and no stranger to gogo music as he belongs to the group shana, which already stormed the charts with our last release ‘,uyangichomela’,. as a dj blackcoffee played in all south african top clubs and scooped a sama award (south african dance music award) for best dance album in 2006. to date his fame is by far not bordered to south africa anymore, as he was for example chosen in 2006 and in 2007 to represent south africa at the red bull academy in barcelona, played numerous gigs in europe and released on real tone records.

the running back sports team is glad to welcome two new players to its roster. dplay and whiz kid manuel tur (see also his brilliant ribn stuff) have caused a great stir with a bouquet of 12-inches for outfits like zurichs beloved drumpoet community or the compost black label as well as knocking out well-made remixes. for instance, their work on kiloos the passion is just adorable. here we have them melted into one organism called dplay, while mtur moves in silence (or in the production credits, if you please). stretching out on the a-side, huub sand is not only a tribute to two of schalke 04s greatest gentlemen, but a prime-example of cavernous, stoic and infective house those two (no not the schalke guys) had quite an impact on. initially planned to come with a remix by the mighty radio slave (please look at cat-no. 012 to see what became of that), our coach could convince the duo to hand out two rather atypical, nonetheless bloodcurdling tunes instead: tschaka kicks some deep dub disco houz styles of the highest orders with riot-like effects on your mind, body & soul. finally, schroulé is a claustrophobic corker, if we have ever seen one. should be the perfect sound track for padded cells and the up-and-coming remake of mel brooks frankenstein. these ruhrpott kids are alright!

fine arranged melodies from multiple sound sources, as stated in his biography, are the building blocks of which daniel mehlhart considers to be the essence of good music. putting what he preaches into practice has affirmed the 22-year-old swiss born, frankfurt am main resident, as one of the most exciting new talents in the underground tech-house movement. his most acclaimed release was the harp-tinged origami, released last summer on kindisch, which catapulted him into the record bags and charts of a slew of seasoned djs during the end of last summer. >scharade< is an example of young daniel sticking to what he does best, mixing and blending techno. atmospheres and sonic images while still animating an organic and natural vibe over the tracks. liberal amounts of percussion and a middle eastern or asian vocal dramatically pitched this tune beyond recognition watermark with a style and a vibe that he has helped to advance. the house roots of >distracted conscience< are present right from the onset. using a double pump kick to inject a pinch more of energy into the already flourishing habitat of off-kilter and spooky sound effects. so many in fact it is easy to see how he came up with the name, >distracted conscience<, as there are more effects floating around in this track than thoughts in the head of an 8-year-old who forgot his daily dose of ritalin. he turns to an ethnic vocal on >alura< again, but keeping the overall mood of this outing a bit deeper. he pulls out even more percussion instruments including extra shakers, toms and bongos all marching along harmoniously. this is a head down, hands-up, side-to-side bopper that just keeps quietly elevating as subtle elements are added and subtracted throughout the duration of the tune. a coherent composition and dj tool all in one. although this is his second release there are no signs of a sophomore slump anywhere in site, as daniel mehlharts talent lies in his unique, but subtle ability to gel different eleme

played by: masomenos, laurent garnier, atjazz, charles webster, tigerstripes, shur-i-kan, , solomun, mihalis safras, martin eyerer, ivan smagghe, john acquaviva,?after releases on farbenfroh, con:takt and fullscale the youngster timo huehner makes his first contribution to the bcbtec department with an ep coming along so fresh and crisp that it should be no big deal for him to follow the success of label mates like sebastian lutz, mikel mckay and the molisans brothers. the 21 year old student is driven by an uncompromising and deep passion for electronic music which you can feel in every single beat of this fine three tracker: groove swatter >any one< takes the lead on the a-side with cool cut up vocals, followed by >attentione< stomping ahead with elegant functionality. on the b-side >triple hau< is another fine example of state of the art tech house: frisky stuff for adlib fetishists

stone cold classic funky disco floor filler thats stood the test of time. first time ever on 12inch!!! taken from the hard to find self titled lp by tommy stewart, bump & hustle music is the definitive disco funk party anthem. it was recorded in 1976 in atlanta, georgia, and since then the lp has found itself in the play boxes of soul, funk and jazz djs alike. however, its not until now that this amazing song has finally made it onto the preferred format of dance djs the world over – the 45rpm 12inch single. in 1976 tommy stewart was a busy man, working as an arranger, producer, performer and writer for a host of soul and rnb artists. the lp made for abraxas records was the first to go directly under his name, and although it failed to take off locally, the lp soon became known by djs across the world primarily for the club smash bump & hustle music. as it happens that song in particular almost didnt exist but for tommy needing to come up with something quick in order to fill in a gap in the album. conceived and recorded on the spur of the moment, and with backing vocals by isaac hayes singers hot buttered soul overdubbed later, its a superb example of rhythmic simplicity blended with soulful, catchy harmonies. its just impossible to listen to bump & hustle music without a broad smile coming to your face, and when played loud in a club, its impossible not to dance!

played by john digweed at his bbc essentials mix!!! here s the tune everybody was asking for. and the tune everybody is going to ask for too! >condensated< provided some unforgettable (ibiza-)moments with his solid, oldschool-like and exploding chord-grooves throughout last summer within remutes livesets and dj-sets of big names like for example john digweed. now remute decided to publish this gem finally

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

what happens if two oldschool freaks sit together? hellectronic is the best example of how a fusion of two worlds may sound. andrea doria s remix proposes in the same score. if you ve liked +8, you will kill for hellectronic!

clubbing phunky techno two tracker for fans of jericho for example

classic cut from the two old hands ! a level non zero release with the catalogue number 23 – who woudnt expect a conspirational track? and indeed: after legendary release >futher & further< (lnz05) the secret house society leaders pascal feos & heiko mso (klang elektronik / playhouse) once again met for a conspirational studio session to dominate the clubbing world with an extraordinary production. the result is named luv and sounds like the essence of the essence of minimal house music neatly stretched out to 11 minutes running time. cladestinely theyve implemented classical chicago jack elements in a modern lunar probe to irridate mother earth with an eternal stream of love. adequate gravitation-free the sound comes across as a gauze of warm bassy clouds, funky finger clicks, sustain violin strings and paradisiac luv female vocals. after a long ethereal break the track speeds up again smoothly and reveals a subtile glowing sound of the tb-303. luv is the perfect example of rarely produced tracks that give you the feeling of oustanding full-embracement

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

meridian is a perfect example of dj 3000s evolution as a producer. the mark of a good producer is to never stop growing, once you do, you are condemned to making the same record over and over again and hoping no one notices. this record is the perfect marriage between the percussive staples of the motech sound, and a new lighter exploration of sound elements by dj 3000. >meridian< dares you to sit still while listening to it, or to stand on the wall if you are near a dance floor. its ability to make you dance as well as captivating your ear if you are sitting and listening illustrates the dynamic flexibility of the motech sound.

darkos productions have attracted the attention of djs from all over the world. his remix of the title track of nina mirandas (smoke city) album shrift in 2005 was one example, earning him critical acclaim when the remix reached the top 10 in the us download charts. more recently mr rakas has joined darko and his strange worlds collective. together they have embarked on a musical mission, blending deep minimal house and techno with eastern european romani gypsy jazz. simplicity is the operative word best to describe this release. the over sexed sax solo of sexaphone (a one take wonder performed by ben hadwen) takes house music to a new level, whilst danote on the other hand reflects on the hypnotic repetition of the hook, building a solid groove around a repeating synth line, appearing here in two versions, the stripped back extended mix and the more immediate club edit. another great release from the up, coming and one to watch label universal vibes.

many international top-notch djs are already playing and supporting this tune like laurent garnier, gusgus, raudive aka oliver ho, len faki, john starlight, hernan cattaneo, james talk, perc, glimpse, ed davenport, chris fortier, p.toile, savas pascalidis, tony senghore, oliver deutschmann, mario piu or mtv-man markus kavka. after many years and releases on some of the most important labels of the electronic music-scene like for example liebe+detail, areal or trapez and countless remixes for artists like dominik eulberg, move d or solomun, hamburg/belgrade-based artist denis karimani aka remute is coming up with his own, self-titled label, which will be the future homebase just for his most uncompromising, rocking and surprising tracks. the 1st release called zuendli is an unmistakable groove-monster and is already driving people wild since weeks and months as a part of remute s highly acclaimed livesets all over the world with grinding and rotating sequences, unconventional sounds and a killer break

nicolas duvoisin s tracks digged out by musique unique are a perfect example that minimal music is not only about to reduce itself to emotionless tools. here we go with two even housy touched tracks from the french speaking part of switzerland. unique sounds in each of the two tracks, verry detailed arrangements, perfect food for the musique unique lovers

get ready for the 8th classic offering from the sounderground stable, a gem of a release from los angeles resident, mikael stavöstrand. having been a key figure in the electronic music scene for many years, mikaels latest musical must-have is yet another example of his breathtaking, boundary busting musical interpretations. always on top of his game, and in demand, his live shows are truely outstanding. having amassed an ardent list of followers and been involved in collaborations right across the musical spectrum, his previous label outings include, kindish, thema, sushitech and spectral sound

supported by dubfire, davide squillace, rino cerrone, mark henning, mihalis safras. naples based artist gianni pellecchia, well known for his releases on loose or minisketch, with his first solo ep on bauns music onda tape has a deep, liquid atmospheric feel. the lead bass rotor and the easy rhythmical line of muler creates a sonoric winding which culminates when a darkness laugh sample breaks off the pause to restart shaking heads. powerful! allergico is a well done example of drum embedding and sound de/construction. a funky techno bay with coloured melodic reefs! mnemonic has an excellent hypnotic minimal groovin tech style, organic beats meets mindsweeping melodies, and the dark laugh crosses the reef again. a pure dope for your escaping from chaos. thats onda tape!

nice price deal !!! receiving major support from the likes of tony humphries, cj mackintosh, danny krivit, johnny fiasco, richard earnshaw, mark grant, colette, nicolas matar and much more...its rare these days that a song can rock the dance floor while maintaining quality and integrity but also leave you inspired by the message in the music. life is the music is a prime example of this combination. londons sonny j mason has done just that and delivers a refreshing uplifting vocal with positive meaning. this song has the right combination of energy and soul to make you move while singing along, because tomorrow aint promised, so dance, cause life is the music. miguel migs salted dub deluxe strips it down and moves into slightly more techy territory with a bouncing bassline and dubbed out cut up vocal snippets. miguel migs bump the tech dub delivers a breakbeat groove with a gritty electro ish bassline filtering in and out while layered sweeping synth pads glide on top. the original version is a midtempo soul stomper with classic hip hop and r&b flavor. accessible to radio and club djs alike this song has definite crossover appeal.

after some very well received releases for the likes of renaissance and kickboxer records, stephan hinz, who has also turned out some hot tracks alongside martin eyerer, presents >bacala<. its a cheekily warped excursion into hinz‘s deep and melancholic dancefloor world, spurred on by a great theme melody, as if you found yourself in the middle of a medieval rave after a long and victorious battle! tight, familiar percussion works the groove, building towards a dramatic break which introduces more layers of synthesised wonder! check this in the main room for maximum effect. audiomatique key player adultnappers remix comes on strong, with a tougher drive and a slightly more freaked out vibe. trademark hissing percussion works over a finely tuned minimal groove, eventually allowing that haunting melody to show its colours. designed for the more freaky floors, yet still focused on melody and progression, its another great example of adultnappers remixing skills

many international top-notch djs are already playing and supporting this tune like laurent garnier, gusgus, raudive aka oliver ho, len faki, john starlight, hernan cattaneo, james talk, perc, glimpse, ed davenport, chris fortier, p.toile, savas pascalidis, tony senghore, oliver deutschmann, mario piu or mtv-man markus kavka. after many years and releases on some of the most important labels of the electronic music-scene like for example liebe+detail, areal or trapez and countless remixes for artists like dominik eulberg, move d or solomun, hamburg/belgrade-based artist denis karimani aka remute is coming up with his own, self-titled label, which will be the future homebase just for his most uncompromising, rocking and surprising tracks. the 1st release called zuendli is an unmistakable groove-monster and is already driving people wild since weeks and months as a part of remute s highly acclaimed livesets all over the world with grinding and rotating sequences, unconventional sounds and a killer break / strictly limited, one-sided clear 12 inch

artillery hits us again hard after the very succesfull release of waldhaus on the latest one. dj amok always knows where to find the tracks he needs to play in his devastating sets and this is another example of his uncompromised style! the artillery strikes hard and leaves nothing but victims!!

right in time for a huge 2008 summer season and exactly a decade after its original release, keith thompson and gary ls 1998 soulfuric classic messin with my mind resurfaces with a selection of smoking hot & brand new remixes! a prime example for us house of the highest order, the track now comes strong with fantastic remixes by in demand london based production duo the layabouts and by one of the uks most talented production newcomers guy robin. phonic funk outta amsterdam, who re no stranger to the soulfuric stable, deliver two slick remixes that are set to go down a treat on the more soulful floors. for fans of the classic old skool sound, soulfuric has added the much loved remixes by production legends ubp and jazz n groove, that have certainly stood the test of time throughout the past 10 years!

support from efdemin, loco dice, sebo k, shinedoe, dave dk, agnes, d julz, serafin, ame, ben watt, ray okpara, sasse, luke solomon, peace division & ashley beedle, among others... anonym is the one who is anonymous. his music, however, is anything but anonymous. hailing from the mecca otherwise known as detroit and with releases on his very own anonymous releases and on sushitech, anonym embraces in his music the ways of future past of the motor citys unique techno scene. anonyms new release arrives exactly when detroit techno is again paving the way to the future by transforming the now: post minimal strategies and a desire to find its own place in the tradition, make the music signed by anonym a strong creative statement, something that could only be cooked by a detroit native, but that resonates all over the world. for remix duties, we asked our good friend patrice baumel to take it amsterdam style. detroit techno has a strong hold on amsterdams music makers but the natives of the city of the best coffee shops in the world have also always shed a different light on their own productions. patrice is a perfect example of this: his originality and fierce work ethic has gained him a place in get physical and trapez. we were hoping for something special from patrice and he definitely delivered, taking shanghai express in a completely new direction, making it something else, but also his personal tribute to the city of cosmic cars and vital underground resistance

rhodes accents and analog synth melodies, while a vocal chorus ups the soul ante during the marching strut of who am i, a beautiful example of timeless house music if there ever was one. in futuristic funk, a looped voice incessantly repeats too late now, thereby adding a touch of delirium to the tunes stomping swing, after which the vocal line expands into the chanted pray for brighter days / too late now / lose myself in the future / too late now. warmed by old-school synth flourishes, congas, and rhodes melodies, millers rich and seductive club music makes surrender the only possible proposition and a release so rarely deep and musical, which is therefore not to be missed.

after a long time far from the scene, heres benjamin diamonds come back. advanced promos upfront from the official release date in september, heres the first extract from the man behind huge hits a few years back (remember the voice behind stardust for example...) with killer dancefloor remixes with the likes of rafale (rise recordings) and from d.i.m. (boys noize rec)

first remix over of the former no.1 tune >zombie<, the 2nd best selling track of the year in 2005 comes from top dj and producer andrea doria! in the second place on the b1 ramon tapia delivers an outstanding example of modern electronic clubmusic

xtra limted to 300 yellow transparent vinyl copies worldwide!!! >sound of music< works as a perfect inspired, genre surfing 4-tracker. satisfaction and happiness gruber s music continues to give cannot be conveyed in so few words. but it infects all listeners diverse and directional as another classic example of breakin techno and house boundaries today!

dachshund started to produce techno music in 2006. influenced by his background as a dub and d&b producer, his sound is energic and groovy. today, dachshund is one of the finest example of genevas top quality minimal techno scene. he released most of his tracks on different labels such as num records, platzhirsch, mental groove, 60sec, and many others. he plays live and dj set as well and knows exactly how to run a dancefloor. his releases >somehow<, >water game<, have been acclaimed by the whole scene. for his thrilling and creepy tracks he uses many spatial effects and therefore he creates very abstract sound buildings that are standing immovable in a well structured landscape of weird minds.

the original version of cubik room its a cool, electro flavoured workout with an earthy bassline and skipping beats!! rino cerrone give us an brilliant example of th art of the remix, he twisting the original sounds ever so slightly and embellishing the arrangement with a little extra studio trickery to increase the pressure...god save rino!!! the other remix is made by mauro alpha, well known for this palette on boxer sport! a secure dancefloor killer!